Sturgis Youth Theatre Fall 2010 Workshops!!

Aloha, blog-land!

The Sturgis Youth Theatre Brochure is now available for download from the Strayer-Wood Theatre Website!

http://www.uni.edu/theatre/sturgis/

Enroll now!  Spots are limited!!! 

Alumni News from Jay!!

I thought I’d use this opportunity to bring you up to date on some alumni travel I’ve been doing lately. Allow me to introduce our new Alumni Development person for the newly merged College of Humanities & Fine Arts & Natural Sciences (we’re working on a new name but the acronyms keep coming out strange.) Debra Umbdenstock [debra.umbdenstock@uni.edu] is doing the alumni wrangling and development work for the new college. If you are trying to track someone down, plan a reunion, suggest a fellow alum for an award or publicity, report the news, or dump a whole load of cash on the department, she’s your woman.

John Kaufmann graciously invited me down to Iowa City to see his thesis production of Madwoman of Chaillot last April and at that gala event (with Tim McClain, Angie Toomsen, et al.) I had the chance to catch up with Matt Fleming, who informed me of the upcoming 2010 Olive Street Reunion and he sent me a link to the video. <2010olive.wordpress.com> (go to the bottom of the blog to see the instigating artifact and read upwards to follow the genesis and ultimate fruition of the event).

I figured half a day wasn’t too much to ask in the cause of alumni development, so I drove to lovely Dolliver State Park just outside of Fort Dodge (the explanation is on the video) in blistering heat and under the threat of tornadoes and ripping thunderstorms, thinking that these conditions by themselves were enough to make for a very memorable weekend.  I began looking for the reunion, asking at campsites and venturing deep and deeper into the heart of darkness.  The mood in the park was not jovial, as the park had apparently booked a Johnson family reunion AND a Johnston family reunion and just assumed that there had been a typo, mixing them up and leading to some provocative and potentially productive Lutheran cross-breeding.

At last, I found our campsite and the knot of happy campers who had spent the previous night huddled together for shelter in the public lavatory for protection from the threat of tornado and a convenient place to be in and out of which to have the piss scared.  Weather notwithstanding, the reunion was a huge success, attended by:

Chelle Budrevich, Genevieve Budrevich & Emme
Amanda Cherry-Haus, James Haus, Dixie & Simba
Matt Fleming, Kristin Graziano, Iris, Maeve & Beau
Jimmy Garver & Rebecca Bray
Allie Gerlach (alas, didn’t make it)
Chellie Herren-Brown, Chris Brown & Ivan
Gregg Horrass
John Kaufmann, Brynn Hambly & Rumpus
James Kurtzleben
Tess Lassen-Wortinger & Mike Wortinger
Tim McClain, Maria Araeipour & Alex
Jason Palmquist
Eric Reiners, Kerri Eich & Boden
Katrina Sandvik, Jay Radcliff & Felix
Kerry Schyba, Anji Moreas & Amelia
Doug Sigwarth
Ken Steadman, Cheryl Elsinger, Chris, Ethan, Amelia & Dulce
Kristin Teig-Torres, Travis Torres, Jack & Ava
Megan Trower-Ward & Nicholas

Please note: in many cases, people have included the names of pets as if they were children. So do not be misled as to either the casual disregard of overpopulation warnings or the somewhat prosaicl choices of children’s names, such as Rumpus Kaufmann.

While I didn’t get to see everyone due to revolving door arrivals and departures, I had a great time dredging up old stories, spraying insect repellant, seeking shelter from the sun, spraying insect repellent, eating, seeking shelter from the sun, and trying to remember people who weren’t there and what they were up to.  Tess Lassen-Wortinger & Mike Wortinger did an amazing job feeding everyone, as did James, the Omelet King, Kurtzleben. James Garver engineered a wonderful soundscape for the weekend and everyone did State Parky things, drank and visited. They’re planning another, so you 80s alums check out the web site for ongoing info. For you non-80s alums, if we can’t get you back to Cedar Falls (“Come for the Cedar, stay for the falls.”) think about doing the same thing somewhere air conditioned, like an expensive resort or cruise ship.

Debra Umbdenstock and I just got back from Dallas where we had a great catch-up with Cheryl Ammeter, class of ’79, and Stephanie Steil Hoppe, class of ‘88. Cheryl has enjoyed a varied career as a writer, model, and actor in Dallas. You’ve heard her voice in national ads and probably bought her several Barney (yes, that Barney) DVDs for your kids.  Stephanie is currently working as Senior Marketing Director for 7-11.  I know that she has been remarkably successful because they have spun off an entire new marketing division just to handle Slurpees—it must be the Glee thing.

I know Debra and Eric Lange are planning an alumni trip to NYC in early October, so let Mayor Bloomberg know you’ll be busy and plan to attend whatever their event October 7^th!  Eric and Debra are planning to see underneathmybed at The Rattlestick Playwright’s Theatre, with a post show party at Dublin 6.  You should email Eric at eric.lange@uni.edu for more information.

Also, by way of ready-to-wear, I understand the student USITT chapter is planning to make available to you the rarely seen and often copied “Read the Damn Play” tee so wildly popular last season in Cannes. Watch this space for future developments.

Write or call if you’re going to be close.

Jay

Costume news, Conquering the show

More excitement from the Costume Shop!!--

The highlight of last week had to be the fittings for the ladies of the cast.  I toook photos of Rachel being fitted in her mock up for Mrs. Hardcastle.

She has a period corset that will change her silhouette.  Just ask anyone who's worn one of these period corsets, it makes you stand entirely differently!  And breath.  And walk.   Sitting--who sits?  These women perch like a bird on the edge of a stool or chair!

To enhance those hips, pannier buckets are added to the sides.  These actually can be tied on with strings or put onto a waistband belt.  So then there's the big-ole petticoat.  Over the buckets is a petticoat made of quilted fabric.  This will help enhance the volume, or footprint, if you will, of the skirt, but help them pass through doorways, for example.  They can just "crunch up" the skirt at the bottom, and maybe slip through the space.  Rachel looks like she is floating around with that big skirt on!

Over the petticoat is the bodice with the Watteau train attached.  And then, of course, a very large skirt, in addition.  We ought to weigh one of them to see how much these women are carrying around with themselves.  These skirts  will be embellished with trim and fabric we are marbling.  That's a whole other process we will begin next week.  Lots of new techniques on this show, as every show.  We all learn something new.

Look for pictures in the next post. . . .

Conquering She Sttops to Conquer Costumes

This news from the Costume Shop's Amy RohrBerg!!

It was a busy week in the UNI/Strayer-Wood Costume Studio.

Costume renderings have been shared with the director and the rest of the design team.  Now they are posted in the Studio so anyone can see what we intend these costumes to look like and they can see the characters together.   We have a very interesting palette of colors.  Hardcastle-related persons will have colors that match the home that they live and work in.  Those coming from the outside carry colors that  
are bright and sunny, fun I hope.  The gowns from this period, that of George Washington, have lots of fabric.  Panniers add width to the women's hips when you look at them from the front.  A profile view is deceiving, they look almost "normal" in their silhouette.  the guys will be in britches and fancy shoes.  I don't even want to start with the wigs, more to come!

TA's and those in the Patterning class have been hard at work drafting patterns of the clothing we will make.  We have also begun  to sew mock-ups of muslin fabric  for each garment.  After the fitting in the mock-up,  those adjustments are made to the paper patterns so that we can then go ahead and make the costumes again in the fabric chosen for the show.

Fittings also happened almost every day to assign rehearsal garments, mostly shoes, to members of the cast so that the adjustment to those peculiar costumes might be more easily done.

Stock Flat Construction

Students are in the process of building a set of stock scenery flats for the Bertha Martin Theatre. Stock scenery consists of scenic units which can be used over and over again on a number of productions. One of the necessary skills all scenic carpenters need is an understanding of flat construction. The following pictures document the process from creating the jig to completetion.

Senior Mandy Heath is laying the precut lumber into a jig to build a 4' x 10' flat.

Here, a Stagecraft student is preparing a keystone to be stapled onto the flat.

A close up of a rail showing the 1" offset of the corner blocks from the edge of the flat. 

Once the frame is completed, the next step is to cover the flat with 1/4" luan. 

The luan is attached with glue and 3/4" narrow crown staples.

Back view of a finished 4' x 10' flat. 

Once completed, if built properly, a flat can last up to 20 years!